Trigger-based timing
Saw [company] is exhibiting at [trade show]. We shot booth and recap video for [similar company] last year, here's the 60-second cut: [link].
Where marketing directors, agencies and comms teams hire video crews, and how to get on their shortlist.
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Pick one or two client types, such as B2B tech marketing teams or hospital comms departments, and build a reel for each instead of one general sizzle reel. Then get onto the subcontractor lists of creative, PR and web agencies, who hand off production they don't staff in-house. Write directly to marketing and comms leads when a trigger appears, like a product launch, a rebrand or a conference booth. Run local search ads on "video production company [city]" and send those visitors to a page for your niche.
Choose one or two client types you've already done good work for, such as SaaS launches, healthcare, manufacturing or nonprofit galas. Cut a short reel for each and build a case study page with the brief, the shoot and what the client used it for. Buyers in manufacturing want to see factory floors, not a perfume ad. Retire the all-purpose sizzle reel from your outreach. Revnu doesn't cut reels; this one is yours.
Set your primary category to video production service and add photos from real shoots with your crew in frame. Ask past clients for reviews that name the project type. Then publish a page per niche and per service, like corporate training video or event video production in your city. These pages are what search and AI answers point to when a buyer asks who to hire. Revnu writes the site pages; your Google profile is yours.
List 20 creative, PR and web agencies within driving distance that don't show in-house production. Write to the producer or creative director with a white-label offer and a reel matched to their client base. Offer to shoot under their brand, deliver through their review process and stay out of their client relationship. Follow up after their next big pitch season. Revnu finds the partners and writes to them; the meetings are yours.
Watch for product launches, funding announcements, new marketing hires, rebrands and trade show exhibitor lists. Send the marketing or comms lead one short note on LinkedIn or email with a single matching clip. Mention the deadline you noticed. Ask a small question, like whether they've locked a crew for the event yet. Revnu builds the list and writes to each one.
Push hardest in the fall, when companies spend remaining budget before year end and plan next year's content. Pitch event clients months ahead of spring and fall conference seasons. Reach nonprofits before gala season, not the week of. Use January to pitch annual content packages to clients you shot for last year. Give Revnu your dates and it plans its work around them.
Get written permission in your contract to show the work, and keep talent releases and music licenses clean so you can. Post a short behind-the-scenes clip on LinkedIn and tag the client's team. Ask the marketing lead who else in their network needs video. Ask agencies for a quarterly check-in so you hear about pitches before they're won. This step is yours; Revnu doesn't do it.
Clients pay from a marketing, communications or event budget. The decision usually sits with a marketing director, brand manager or agency producer, and procurement or legal signs off on larger shoots.
They need product videos, customer stories and launch content that sales can actually use. A launch date, a new website or a trade show booth usually starts the search.
They win the strategy and the client relationship but often don't keep a camera crew on payroll. They hire production partners who hit deadlines, stay invisible to the end client and deliver files in their brand standards.
They commission CEO messages, onboarding, safety training and recruiting videos. A reorg, a merger, a new benefits rollout or an annual all-hands is the trigger.
They need multi-camera capture, recap edits and session recordings turned around fast. They book months ahead of spring and fall conference seasons and rebook crews who made the last event painless.
They want donor stories and gala videos that move people to give. The annual gala, a capital campaign or a big grant application sets the deadline.
Saw [company] is exhibiting at [trade show]. We shot booth and recap video for [similar company] last year, here's the 60-second cut: [link].
We produce under your brand for agencies like [agency type]. Your client sees your team, we handle crew, gear, releases and edit in Frame.io.
We only shoot for [industry], so we already know how to film [specific setting, e.g. a clean room or an OR] without slowing your team down.
One shoot day at [location] gets you a hero video plus [number] cutdowns sized for LinkedIn, your site and sales decks.
Lead generation
Good leads for a production company have three things: a named buyer, a budget line and a deadline. Build your list around deadlines. Trade show exhibitor lists, product launch announcements, new CMO hires and nonprofit gala calendars all tell you who needs video soon. Agency partner pages tell you who needs a crew they don't have. Skip buying generic lists of "companies with marketing departments", since you have no reason to write and they have no reason to answer. Also skip leads from bid sites that start with "what's your day rate". For example, if a regional hospital system posts a job for a new internal communications director, that person will likely want onboarding and CEO update videos within their first months. Find them, note the hire, and send one healthcare sample showing you can film around patients and HIPAA limits.
Cold email
Cold email works for production companies only when it carries proof. Write to one person, name the trigger, link one clip from the same industry, and ask one small question. Keep it short enough to read on a phone between meetings. Don't attach files, since corporate filters catch them, and don't send a Vimeo link to your whole reel. Send the one that matches. Avoid the "we're a full-service creative studio" opener because every competitor sends it. Here's an example: "Hi [name], saw [company] is launching [product] next quarter. We shot the launch video for [similar company], here's the cut: [link]. Have you lined up a crew for the launch content yet?" Follow up once with a different clip or a behind-the-scenes still, then stop. Check that your sending domain is set up properly before any outreach, or it lands in spam.
Advertising
Search ads on Google and Microsoft are worth testing because someone typing "corporate video production [city]" has a project. The work is in filtering. Add negatives like wedding, cheap, free, jobs, course and drone only if you don't want that work. Send each ad group to a niche page with a matching reel, not your homepage. LinkedIn ads can work for agency outreach or a narrow industry, using job title and company size targeting with a short clip as the creative. Skip broad display and boosted social posts, which reach people who like watching video, not people who buy it. For example, a crew that specializes in manufacturing could run Google ads on "industrial video production" and "factory video" in their state and send clicks to a page showing plant shoots, safety gear and a shot list.
A marketing or comms lead usually finds you, asks for a reel and a rough budget, then takes your treatment to their boss, and sometimes to legal or procurement for a vendor form and insurance certificate. Agencies move faster because the producer often has authority to book. A treatment that shows shot list, locations and deliverables, plus a sample from the same industry, speeds up the yes more than a lower number does.
We're a six-person video production company in Columbus, Ohio, focused on manufacturing and medical device companies. Find marketing directors at companies exhibiting at upcoming industry trade shows in the Midwest, plus creative agencies in Ohio without in-house production.
Niche down in your marketing, even if you still take other work. A marketing director at a medical device company would rather hire the crew that already knows how to shoot in a clean room. You can keep a general page on your site, but lead every outreach and ad with the niche reel.
Make it easy and safe for them. Offer white-label production, follow their brand standards, review in Frame.io or whatever they use, and never contact their client directly. Start with one small job and deliver early. Agencies rebook the crew that made them look good.
Usually not for a company with a crew and overhead. Bid sites push clients to compare day rates, and the projects tend to be small. Your time is better spent on agency relationships and direct outreach to marketing teams with real budgets.
Show work from the same industry and format the buyer needs, with a line on the brief and how the client used the video. Corporate buyers care that you handled releases, licensed music properly and kept the shoot from disrupting their staff. Cut a short version of each piece that plays well on LinkedIn.
Fall is strong because companies spend leftover budget and plan next year's content. Pitch event clients ahead of spring and fall conference seasons and nonprofits ahead of gala season. January is good for pitching annual retainers to past clients.
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Last updated October 21, 2026